February 12 @ 9:00 pm - 1:30 am
Saturday, February 12th, 2022
Charleston Pour House Main Stage
8pm Doors / 9pm Show
Tickets – $25 Advance/$30 Day of Show
Dumpstaphunk stands out amongst New Orleans’ best, cementing themselves as one of the funkiest bands to ever arise from the Crescent City. Born on the Jazz & Heritage Festival stage, and descended from Neville and Meters family bloodlines, these soldiers of funk ignite a deep, gritty groove that dares listeners not to move. Their performances combine ingenious musicianship through complex funk, rock, and jazz arrangements accompanied by soulful melodies and Big Easy traditions.
The band just released their 4th studio album Where Do We Go From Here on April 23, 2021 featuring Marcus King, Trombone Shorty and Chali 2Na, and is now available on double bronze vinyl, CD and all digital platforms. Dumpstaphunk culled material from many different sources over the past few years, creating during downtime and rare off tour cycle stop-gaps at various studios in New Orleans: some songs were born on-the-spot in the studio, others as a drum beat or a groove at sound-check. A few were simply covers that were already in the band’s live repertoire. The songwriting was largely collaborative, with all band-members contributing their own respective stylistic nuances.
For the past 17 years, Dumpstaphunk has earned its reputation as the most well-regarded next-generation New Orleans live powerhouse, the type of band whose live shows attract sit-ins from legends like Carlos Santana, Bob Weir and Trombone Shorty. Alongside Hall, Daniels, Alex Wasily, Ryan Nyther and drummer Deven Trusclair, cousins Ivan and Ian Neville have built upon their family’s iconic NOLA legacy as they’ve transformed Dumpstaphunk into the city’s pre-eminent 21st-century funk-fusion export, resulting in recent career highlights like their July 2019 opening gig for the Rolling Stones on their home turf at the Superdome.
Dueling baselines from Tony Hall and Nick Daniels III set off one of the dirtiest rhythm sections on the planet, while Ivan Neville lights up the Hammond B3 keys and cousin Ian Neville’s funky guitar riffs send the groove into overdrive. Dumpstaphunk tosses around lead vocals and four-part harmonies the way Sly & the Family Stone did, but with three studio albums under their belt, Dumpstaphunk stands on the merit of their own material.
Dumpstaphunk has performed at the New Orleans Jazz & Heritage Festival every year since 2001 and continues to tour all over the world. Most recently, before the pandemic the band supported The Rolling Stones in New Orleans, as well as toured with George Clinton & The Parliament Funkadelic for his farewell tour. They have performed on hundreds of festival stages likeJamCruise, Dead & Company’s Playing in the Sand, Lockn Festival, NYC’s Summerstage, and Byron Bay Bluesfest, and you never know who may appear as a guest on stage with the band on any given night. Guest appearances have included Santana, Bob Weir, John Oates, Lucas Nelson, Deen Ween, Blackbyrd McKnight, Jerry Harrison, Marcus King and Nicki Bluhm.
Cosmic Appalachian Hip-Hop
The Blue Ridge Mountains of North Carolina are steeped in old-world mystics, ancient medicines and a potent connection to nature. On the surface this might not seem synonymous with hip-hop but the roots of music run deep. This is the community that Asheville’s Free Radio has risen from.
Formed in 2012 by forever friends Austn Haynes and Johnny Reynolds, they released their debut album, “The Powers That Be” (produced by Haynes), that same year. Fueled by Austn’s beats that dig into everything from classic soul to classic rock and modern pop to space- age lounge, both Austn and Johnny are accomplished emcees, and around western North Carolina, Johnny’s syrupy flow has become a thing of legend.
Over the past decade Free Radio has taken different forms, won multiple awards for “best hip-hop group” by local newspapers and shared the stage with heavyweights like Wu-Tang Clan, Ice Cube, Slick Rick, Nappy Roots, Digable Planets and Warren Haynes, and the band even swapped coasts for a few years when Johnny and Austn moved to San Francisco. But today, back home in Asheville, Free Radio has found its most powerful configuration with the addition of Grammy Award winning singer Debrissa McKinney and Datrian Johnson, whose deep, soulful vocals (think a modern day Barry White or Isaac Hayes) have enough power and authenticity to become the voice of a generation.
The addition of Debrissa and Datrian can not be overstated, “I feel like the universe put us together” says Johnny. “We all came from different walks of life and found ourselves in this time and space.” It’s the old adage where the whole is greater than the sum of its parts. “When Datrian and Debrissa come together it’s just magical” continues Austn. “One thing Johnny and I are not as skilled at is being vulnerable, and to have them bring that balance and soulfulness, to bring it back to a heartfelt level, I’ve been manifesting that for years.”
It’s odd that Debrissa, who currently also plays sax and sings with Empire Strikes Brass and has recorded and played live with stalwarts like George Clinton, Gov’t Mule and Karl Denson’s Tiny Universe, as well as the children’s hip-hop band Secret Agent 23 Skidoo, for which she earned a Grammy, had the time to join Free Radio. She’s collaborated with them in the past and has been a huge fan for years, but it was only because Covid disrupted the world that she had the bandwidth to put her energy into Free Radio.
Datrian is the type of natural talent that stops you in your tracks. He was singing in church as soon as he could stand and by the time he was 12 found himself featured on BET’s “Bobby Jones Gospel.” He tasted the limelight singing at larger events like “400 Uhuru Rising – A Musical Journey To Freedom” and a premier for Aretha Franklin’s “Amazing Grace” film, but the dynamic of being in this band with these people is allowing Datrian to push himself in ways he never has. And that drive and that energy is opening windows for Free Radio’s music that simply didn’t exist before this lineup coalesced.
Together, as a quartet, they are creating cosmic Appalachian hip-hop that owes as much to Dead Prez and Tobe Nwigwe as it does the Mamas & the Papas. They are collaborating with other like minded Asheville artists including Saint Disruption which features John Medeski (Medeski Martin & Wood) and Jeff Firewalker, and with the help of mixer and producer Philo Reitzel, their first album as a unit strives to unite the heart with the head. They recognize these are dark days for many. Covid, lockdowns, financial stress and mental unrest, but it’s also a time of transformation and inspiration. We all face the dark, but some of us find the light. Do we tune out, dumb down and give in? Or do we rise up? Free Radio is shining that light in the darkest of days. Free Radio is holding out that hand to help us all rise up.