In making his fourth album Wash It in the Water, Zach Deputy dreamed up a sunny and soulful new sound that fuses hip-hop, funk, and folky pop with the spirited rhythms of soca and calypso. With that sound embodied by the album’s brightly melodic and richly textured title track, Wash It in the Water finds the Georgia-based singer/songwriter/multi-instrumentalist mining his Puerto Rican and Cruzan heritage for inspiration.
“Because of the music I was raised on, I’ve always heard rhythm in a very tropical, Latin-esque way—it’s something that resonates in the deepest parts of me,” says Deputy, who grew up in South Carolina. “When I was a kid my grandma would play a lot of salsa and soca and make me get up and dance to it, so in a way this is me putting my own spin on all that and bringing those sounds into a whole new era.
”With Deputy playing every instrument on the album, Wash It in the Water was self-produced in spontaneous sessions that took place in studios and homes and sometimes in Deputy’s garage. “Each time I recorded it was mostly just for fun,”he says. “I wasn’t trying to make anything happen, I was just going with what felt good.” As a result, Wash It in the Water bears a warm, natural feel that permeates everything from the intricate guitar work and tender vocals of “Jump in the Water” (a serenade to Deputy’s seven-year-old daughter) to the groove-heavy funk of “Put It in the Boogie” (a celebration of the joyfully chaotic life of a musician) to the piano-driven balladry of “Loving You” (a powerful meditation on unconditional love).
Despite the spur-of-the-moment approach, Wash It in the Water emerges as a gracefully arranged effort that owes much to the musicianship and songcraft Deputy’s honed since getting his first guitar at age 13. By his mid-teens he’d started up a series of garage bands, balancing his own projects with playing in local big bands and soul groups. “I was this 16-year-old white kid crushing it in a Motown band, and because of that I got to learn a lot about respecting the composition,” Deputy recalls. “To me music is a bunch of small pieces fitting together to form this beautiful castle.”
In his early 20s, Deputy experienced a major turning point that would take his music in an entirely new direction. “I was playing in a band but I wasn’t inspired—music wasn’t bringing me the joy that it used to, and I felt like I might be done with it altogether,” he says. Along with quitting the band mid-tour, Deputy traded in his electric guitar and amp for a nylon-string acoustic and moved back home to work construction with his dad. “At work all day I’d have this music in my head, and as soon as I got home I’d go straight to the guitar,” he says. Serendipitously landing a solo gig by walking into a bar just after that night’s featured artist had bailed, Deputy soon introduced the world to the sound he’d eventually dub “island-infused, drum ‘n’ bass, gospel-ninja-soul.” By 2008 he’d released his debut album Out of the Water and—thanks to his ingenuity in looping—made his name as an unforgettable one-man-band live act.
In reflecting on his path as a musical artist, Deputy likens that creative awakening to the message at the heart of “Wash It in the Water.”“That song’s about cleansing yourself from all the nonsense of the world—starting fresh, a rebirth of sorts,” he says. And whether performing live or creating new music, Deputy aspires to guide listeners toward a renewal of their own. “I try to give people a little soul massage,” he says. “In music you get so raw and make yourself naked to the world, and hopefully people can find themselves in that and realize they’re not alone. For me touching someone’s life in a positive way is the best thing about making music, and that’s what’s kept me going with it for all these years.”
Of Good Nature:
Of Good Nature is an indie rock-reggae five piece that was formed in Charlotte, NC in 2011 by front-man, guitarist Cameron Brown and drummer, percussionist Joey Vachon. Coming up in the thriving music scene in the Queen City has been vital to the band’s early success, as well as the blending of rich musical styles which transcends foundations of rock-reggae to progressive instrumentals of funk and rock n’ roll.
The 2011 debut album, Just Add Water, won Indie-Ville Reggae Album of the Year – Nashville, TN. On October 23rd 2015, their sophomore album, Life Worth Livin, debuted at #5 on the iTunes Top Reggae Album Chart. The band was featured in Irie Magazine : Cali Edition (November), scoring their own “Respect” multi-page write up; additionally, the title track was featured as The Pier’s “Mp3 Leak of the Week” and is being spun on a number of traditional and internet radio stations. The prolific group has already made it back to the workshop, recently hitting the studio with Ted Bowne of Passafire. The project is planned for release later this year.
The live show is turning heads, embarking their funky-reggae-party onto Train’s Sail Across The Sun Cruise in Febraury of 2017 feat. Michael Franti and Spearhead, Arrested Development, Natasha Beddingfield, and more. The notable Reggae Rise Up Festival in St. Petersburg, FL recently added OGN to the already stacked bill through their Artist Discovery Contest in early 2017, along with Slightly Stoopid, Dirty Heads, Iration, Steel Pulse, The Green and MANY more.
The group has shared the stage with headliners like Sublime with Rome, Common Kings, Dropkick Murphys, Matt Nathanson, Keller Williams, George Porter Jr., Tomorrows Bad Seeds, The Movement, Tribal Seeds, The Supervillains, Ballyhoo! and others. Of Good Nature’s National Tour is lining up for 2017. Stay on the lookout OGNation.